So essentially, the plugin is identical to the original unit.
The Weiss EQ1 is a line-for-line recoding of the original digital-based hardware. Weiss EQ1 The Weiss EQ1 is a recoding of the original digital hardware. I’d recommend going into the settings and changing the scale value to the -6dB to 6dB setting since this is just about all you’ll need when mastering. Type 4 has even more drastic Gain-Q dependency, and subtler curves suitable for mastering and mix busses. Type 3 introduces Gain-Q dependency and gentle curves similar to a Neve console Type 2 is the same as Type 1, but with fixed Q values when attenuating the signal The plugin’s curves can be altered between 4 different types. Perhaps the most important feature of the plugin is the EQ filter type, located in the middle of the plugin. You can also introduce low and high pass filters with slopes from 6dB per octave to 36dB per octave. Its design is straightforward and the visual window makes it under to understand how you’re affecting your master.Ĭurrently, the cost of the plugin is about $270 but it goes on sale often. The Sonnox Oxford EQ is an easy one to understand. Approximately +/-18dB (Narrow Q), and +/-12 dB (Broad Q).The Oxford EQ has a clean sound, and emulates the curves of classic consoles.The EVE-AT4 is the stronger ‘character’ equalizer, while the EVE-AT1 is suitable as a ‘go-to’ equalizer for a wide range of instruments and musical applications. Although they share certain tonal characteristics, the EVE-AT1 and EVE-AT4 reveal their differences in the details. The result is a particular tonal character the sound and tonal shape of its original incarnation is a hallmark of many classic recordings from the 70s.īoth the AT1 and AT4 were designed with simplicity and clarity in mind, allowing for straightforward usage and immediate productivity. Although the EVE-AT4 possesses fewer bands, a smaller frequency selection palette, and less Q bandwidth selection options as compared to the EVE-AT1, its strength lies in its unique filter implementation, producing an idiosyncratic frequency response not present on the EVE-AT1. Designed as a tribute to the EQ section of the Neve* 1084, which was created as the successor to the legendary Neve* 1073. These characteristics mean the EVE-AT1 is suitable for a broad range of musical applications, offering flexibility, versatility and all-round utility.ĮVE-AT4 is a 3-band equalizer with an additional high-pass and low-pass filter. In addition, the AT1 impelements a different high-pass and low-pass filter, giving the AT1 a slightly more conventional frequency response in these areas.
The EVE-AT1 posseses an additional parametric band with expanded Q bandwidth selection in the low-mid and high-mid frequency ranges as compared to the EVE-AT4. Inspired by the EQ section of a renowned British Classic –the Neve* 1081 –this equalizer delivers a clear, smooth, and musical sound to shape your tracks. We are thrilled by the sound and present these EQs as a modern tribute to one of the most influential audio tools ever created.ĮVE-AT1 is a 4-band parametric equalizer with an additional high-pass and low-pass filter. The Kuassa EVE-AT1 / EVE-AT4 consists of two individual EQs inspired by the design of the legendary Neve* 10 that are known for their clear, smooth, and very musical characteristics.
Efektor GQ3607 Graphic Equalizer (Free).